Blissful Frequencies Unconfiguring Eardrums, by Emí no izu

Blissful Frequencies Unconfiguring Eardrums

by Emí no izu

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	1.	ọkan 40:20
	2.	ni 35:25
	3.	ọkan 1 12:08
	4.	ọkan 2 03:40
	5.	ọkan 3 02:01
	6.	ọkan 4 01:56
	7.	ọkan 5 03:58
	8.	ọkan 6 05:55
	9.	ọkan 7 03:28
	10.	ọkan 8 02:33
	11.	ọkan 9 04:33
	12.	Ni 1 05:59
	13.	Ni 2 03:30
	14.	Ni 3 03:14
	15.	Ni 4 05:22
	16.	Ni 5 06:08
	17.	Ni 6 11:03
	18.	The Equation 12:08

about

Emí no izu
"Blissful Frequencies Unconfiguring Eardrums"

After decades of working together within the New York City illbient / experimental community, sound artists Darryl Hell and Keiko Uenishi present their first collaboration, combining the energy of dark ambient feedback and industrial noise, producing a sound that examines and provokes a physical and emotional response to aural stimulation generated by non-traditional instrumentation. Both artists have designed their own unique instrumentation to function as an extension of their visions for sonic output.

[about the artists]
Keiko Uenishi is a sound art-i-vist, socio/environ composer, and a core member of SHARE.nyc since 2001. Uenishi is known for her works formed through experiments in restructuring and analyzing one's relationship through sounds in sociological, cultural, and/or psychological environments. She has been working on a research project towards a doctoral degree at PhD in Practice at Academy of Fine Arts Vienna, Partitions: Dividers, Connectors, Gray-zones, Neighbours in Aural Space, an exploration of a “para-sphere” where auditory stimuli sneak over other perceptions, while de-stabilizing relationships, memories, space recognitions and time.

Darryl Hell (sektor 6 kommunikatons, Abstinence, DJ Hell, Machine Age Madness, Operation:Mindwipe, Rock'It Society, Sonic Warriors United, Emergency Broadcast Network) is a multimedia artist, musician, documentarian, artivist, underground journalist/archivist, and arts mentor/educator. As an artivist, producer, media director, and educator, Hell has continued to push boundaries to explore concepts of artistic expression in relation to bolstering positive social analysis and engagement for his more than 40-year artistic career.

credits

released December 21, 2021

Composed and performed by Darryl Hell & Keiko Uenishi
Recorded at HellLab, Bed-Stuy, Brooklyn, US
Mastering Anatoly Grinberg

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